Vanity Fair has gone inside Ralph Lauren‘s new garage/gallery in Westchester. Black carpets and cars on white pedestals is probably as close as a garage can get to the concept of an art gallery’s “white cube“. The automotive world often follows the art world so this is not surprising (or inspired).
Having viewed most of the cars from the Ralph Lauren collection in real life, I came away with one thought. I do not really like them. They are too perfect, an antiseptic, hermetically sealed vision of what the designer envisioned on paper. They are rolling sculpture, which drives me nuts. Why? Because that was not the intent of the cars. Sure, the design aesthetic was a consideration in a vintage Ferrari, but I can guarantee you that it took a back seat to anything that would make the car faster, such as engineering, cutting weight, or the ugliest design element of all, a Kamm back.
Personally, I want to appreciate the cars for what they were, racing machines that tore up Sebring or empty country lanes. Cars that looked as though they had just shot flames out the back and have greasy fingerprints on the hood. Cars that leak (seriously, he claims to drive these cars, but parks them on white stands?!? A Morgan with no leaks!) Cars that are great examples of cars, not sculpture or art.
I have been fortunate to have been in the garages of some of the greatest collections and have seen cars displayed in all sorts of settings. From the period settings complete with old gas pumps and wax figures in period clothing to modern garages like Mr. Lauren’s. The places that get it right are those that make you appreciate the car for what it is. The Barber Motorsport Museum has bikes and cars displayed in an artistic, museum-like setting. However, you only have to take a quick look out the glass wall to the track to see the machinery in action. To me this is the perfect combination.











