Ralph Lauren’s Uber Garage – Why I don’t like it

18 Jan Via Vanity Fair

Vanity Fair has gone inside Ralph Lauren‘s new garage/gallery in Westchester. Black carpets and cars on white pedestals is probably as close as a garage can get to the concept of an art gallery’s “white cube“. The automotive world often follows the art world so this is not surprising (or inspired).

Via Vanity Fair

Having viewed most of the cars from the Ralph Lauren collection in real life, I came away with one thought. I do not really like them. They are too perfect, an antiseptic, hermetically sealed vision of what the designer envisioned on paper. They are rolling sculpture, which drives me nuts. Why? Because that was not the intent of the cars. Sure, the design aesthetic was a consideration in a vintage Ferrari, but I can guarantee you that it took a back seat to anything that would make the car faster, such as engineering, cutting weight, or the ugliest design element of all, a Kamm back.

Via Vanity Fair

Personally, I want to appreciate the cars for what they were, racing machines that tore up Sebring or empty country lanes. Cars that looked as though they had just shot flames out the back and have greasy fingerprints on the hood. Cars that leak (seriously, he claims to drive these cars, but parks them on white stands?!? A Morgan with no leaks!) Cars that are great examples of cars, not sculpture or art.

Via Vanity Fair

I have been fortunate to have been in the garages of some of the greatest collections and have seen cars displayed in all sorts of settings. From the period settings complete with old gas pumps and wax figures in period clothing to modern garages like Mr. Lauren’s. The places that get it right are those that make you appreciate the car for what it is. The Barber Motorsport Museum has bikes and cars displayed in an artistic, museum-like setting. However, you only have to take a quick look out the glass wall to the track to see the machinery in action. To me this is the perfect combination.

Not Your Typical Track Day

15 Dec

Some people race original Beetles across Baja and others race VW vans around Hockenheim. To each his own.

James Bond Aston Sells for $4.1M

15 Nov

By Abrams

So the “most famous car in the world” has now been sold for $4.1M to Cincinnati banker Harry Yeaggy. I believe that this result was totally unexpected by RM Auctions. Here is why:

According to the New York Times, there were only two bids over 4 minutes. Top level auctions houses like Christies and Sothebys aim to have the bidding ended in 90 secs because slower bidding means lower prices.

The estimate was $5-7M, so with final sale at $4M they are about 20% below the low estimate. Assuming that they are using a low estimate of 60-70% of a target price, then you can see that RM sold the car at a severe discount.

RM brought the car to London, which subjects it to import duty to the UK and import duty to the US. They also negotiated a lower import duty with the British government so keeping the car in the UK would be more cost effective. Yeaggy now has to pay 2.5% to bring the car that was in the US back to the US.

Yeaggy stated that he just came over to the UK recently and was not planning on purchasing the car.

So what happened? You have the most hyped car ever to go to auction, and it sells for 20% below the low estimate! My guess, and what the rumors are saying, is that RM Auctions thought that they had bidders in the £5M+ range who were located in the UK. For whatever the reason, they did not show up to bid.

Is this Peter Egan’s Lotus?

13 Oct

Is this Peter Egan’s Elan that was featured in Road & Track? This car is in Wisconsin and all of the features and quirks match the Elan in the articles (broken tach, CV joints, frame and color).

http://cgi.ebay.com/ebaymotors/Lotus-Elan-Series-1-/130441003116?pt=US_Cars_Trucks&hash=item1e5ee3c06c#ht_613wt_1054

UPDATE: It is Peter Egan’s Elan! and it sold for $38,200.

Best Car Commercial Ever.

12 Oct

I know that this came out years ago, but it is still one of the best car videos ever. Check out the inboard brakes at 42 secs.

Any new classics out there?

20 Sep

via Gooding and Co.

A few months ago there was an exchange in the letters to the editor section of Sports Car Market. Essentially, it boiled down to Keith Martin saying that great future collectible cars have not been produced, aside from the McLaren F1 (and after Pebble Beach he has about 3.5 million reasons to think he is right) since the early 70′s. That really struck me. The gall! The insult to all the great cars of my youth in the 1980′s! Then I came out of my pastel/Miami Vice induced haze and realized that, especially in the US, the 80s really sucked for cars. Strangled by emissions, changing safety regulations, and the European belief that American’s could not possibly go faster than 55 mph, the 80s produced abominations like the Iron Duke Camero and the Maserati Biturbo. Was it true? Were they all that bad? How did I ever become a car nut? Should I have become a high school english teacher and drive a Prius?

Then I felt vindicated as I read a thoughtful response to editor Martin. Someone from the UK penal colony of Austrailia countered, what about the BMW E30 M3? Martin’s response. Not collectible. Interesting. Fun. Appealing. But not a classic, they made too many.

They did make 17,000 M3s, but their prices are now approaching the original purchase price of a car and in some cases, a clean original example may fetch more than the $32k that the car was new. This is my definition of collectible. When a car is selling for more than its original purchase price it has crossed over from being viewed as a depreciating asset with limited utility to something that has significant value beyond its intended use.

Martin claims that (aside from the McLaren F1) there have been no true gentlemen race cars that can go straight from street to track. However, I would wager that certainly the M3 could easily go from street to track with the same slight modifications that the F1 had to race at LeMans. Porsche 911 GT3s can be ordered with roll bars and track ready ceramic brakes.

One of Martin’s other points is that modern cars are made to conform to regulations, so they can never be as pure as the cars of old which did not have to deal with bumper heights, airbags, emissions, etc. True.

Yet, I feel that Martin was perhaps suffering from the same nostalgic haze that I was. Sure the greatest classics of the 50′s and 60′s were not subject to governmental regulation, but they were subject to racing regulation! Big time. Mercedes actually had to check the rule book to see if the gullwing doors would be legal for racing before a single gullwing rolled off the line. If the doors did not meet racing regulation, then the car would not have even been made. Ferrari was always working within (and often around) the rules to make some of their best cars. The 250 GTO was born from a change in regulation.

Some of the world’s most passionate and innovative designs are born out of overcoming obstacles.

Martin is correct that modern cars are often made in too great numbers and without the direct racing heritage of previous sports cars. But there are still classics that have been made since the 60′s. Its just these classics will probably come not from racing at LeMans (although look at Porsche 911 RSR prices…) but from racing in DTM (E30 M3 and Mercedes 190e 16V) and certainly from Group B. Does anyone really think that the Ferrari 288GTO is not going to be a classic, or that an F40 will not be considered at the same level as a Daytona?

Great car designs (like art) are still being made and certainly will continue.

By the way, the best part about the BMW e30 M3, they were never driven hard….oh wait…nevermind.

Typical Lotus…Parts falling off

8 Sep

I was once talking about the Lotus Elan with a well-known classic car mechanic. He had owned an Elan coupe and was raving about performance and character of the car. “An Elan is perfect”, he said, “all it needs is a net underneath to catch the parts that fall off.”

I think that this Cortina driver can sleep well tonight knowing that he experienced the car as Colin Chapman intended –  having lightweight parts that fail while racing.

Here is the lovely Cortina exiting Big Bend, everything looks prim and proper. Oh wait…look closely about two car lengths behind the car…is that a wheel?

It is! At this moment our intrepid Lotus driver must be envisioning the great Gilles Villeneuve’s heroic drive at Zandvoort in 1979.

Alas, it was not to be.

At least he had something to watch while he sat there.

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